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Adobe Audition CC 2018

Voice Over Post-Production with Adobe Audition CC 2018

Adobe Audition CC 2018: A More Powerful DAW

Adobe has greatly improved Audition CC 2018 with its new release making it a more flexible and powerful DAW for voice over post-production.
What does that mean for you as an audio engineer, a voice over client, or a voice over talent?
Some of the more notable features are:

  • Auto-ducking of music beds via the Essential Sound panel.
  • Support for the Mackie HUI control surface protocol.
  • New updated version of the discontinued Premiere Pro Dynamics
  • Impressive Generate Speech function. I was able to turn a 30 minute script into a high-quality male or female computer voice in 90 seconds. The functionality of this is basic for Windows but comprehensive and very powerful on Mac versions.

Audition CC 2018 Essential Sound PanelLearning How to Make the Most of Audition

To make the most out of Adobe Audition CC 2018, you must change a setting they reversed for monitoring inputs. All one needs to do is uncheck the “Enable Smart Monitoring” preference.  Otherwise, your monitoring will loopback while recording.  Choose “Preferences>Multitrack>When Arming Tracks For Record>Enable Smart Monitoring”. Then to monitor while recording, click the “I” button on the channel strip. Nice of Adobe not to warn anybody about this ahead of time, but now you know!

For a full list of the new features, check them out at the Adobe Audition site.

Audio Engineer Mike Russell has a helpful YouTube playlist of all his video tutorials about using the new features in practice.

I’ve really enjoyed using AA CC 2017 this year as an upgrade to my previous Adobe Audition 3 recording software. My only two complaints have been the obvious ones shared by other users. First, the subscription price is steep compared to other DAWs. Second, automatic upgrades have been deleting user Keyboard Shortcuts.

Note that when you upgrade from Audition CC 2017 to the 2018 version check to see if you will have to re-enter those Keyboard Shortcuts. Mine saved perfectly, thankfully. Also, you will need to re-load your VST and VST3 plugins, and then assign shortcuts for those. Perhaps most importantly, make sure that you go to Edit > Preferences > Audio Hardware to make sure it is seeing your settings for your audio interface properly. It will default to MME in most Windows computers, so be sure to select ASIO under “Device Class” drop-down menu in the Audio Hardware page.

The Essential Sound Panel will be very helpful for audio editors when mixing sound and narration. My favorite preset in name at least is “That Public Radio Sound” which indeed does not disappoint, just like the rest of this new Audition upgrade. My hope is that most of these presets are not-very subtle, especially the impact of compression, and that most people will adhere to the rule “if you notice the effect of an Effect, dial it back.” But it’s nice to have these tools in the kit with Adobe Audition CC 2018 for Voice Over Production. I’m finding that the Vocal Enhancer setting which has male and female settings are pretty much a set it and forget it solution for full sounding voice over auditions, and could be a great tool for editors on a tight schedule.

All the very best,
Lance

 

How Do You Playback Audio to Voice Over Clients? Soundcraft Signature 10 Mixer

How Do You Playback Audio to Voice Over Clients?

A Full-Solution Mixer for the Voice Over Studio

Voice Over Talent and some producers and directors ask me “How Do You Playback Audio to Voice Over Clients?” for remote recording sessions. Soundcraft recently released their new small format audio mixer the Signature 10. I’m pleased to report that it’s an all-in one solution for the voice over studio that makes that easy. It has:

1.) Great sounding mic preamps
2.) Solid USB Interface with nice converters
3.) Ability to playback any computer audio source to a director/client (including your DAW) without extra routing.

I added it to my voice over studio because I wanted a 2-in/2-out USB interface like the Focusrite Scarlett but with better preamps. Unfortunately with Scarlett interfaces, even when one goes line-in from an external preamp on the bigger Focusrite models, the audio still goes through the Scarlett preamp. That’s not terrible, but I wanted something better, with the ability to run a HPF as I recorded if possible. The Signature 10 mixer has its own downloadable ASIO driver, just like the Scarlett. So it’s an interface and preamp all-in-one. And yes, the preamps, conversion, and playback all sounds better on the Signature 10 for $300 street price.

The Game Changer: Playback any Audio to Your Clients

But this isn’t just a Soundcraft mixer…it’s an invaluable voice over tool! You can playback any audio source from your computer to the client without doing any routing tricks. The 9/10 Channel Fader controls the playback from your computer…and it goes right back down the main output as long as that it up. So anything you just recorded in ProTools or Audition you can just cue it up and play, and control the output with the fader. Any streaming sound from YouTube or Vimeo can go down the line too. And, as a bonus, this works with all the remote recording solutions like ipDTL, Skype, SessionLinkPro, Source Connect Now…well, anything that you are connected to. If the client can hear you, they will hear the playback on command.

The only trick to this is that you will need to Mute Channel 9/10 so that it doesn’t go to your DAW while recording, and then un-mute it when you want to do playback. In order to monitor in your headphones, you will have to engage the PFL (Pre Fader Listen) buttons near the faders on your mic channel and the 9/10 channel to hear your voice over director. Easy peasy! Or, if you want to get fancy, go ahead and don’t mute the client. But record stereo files and record your mic on the left channel and pan the client to the right. That can be very helpful when you want to hear the client feedback for notes when editing.

Update: I discussed this with voice over tech guru George Whittam and he said that the Yamaha AG03 also has this ability in a small travel-size mixer for half the price. If you don’t need the extra inputs, additional routing, nice EQ and preamps (although the Yamaha preamps are definitely professional-grade) then the AG03 is a great solution also. I think I’ll be getting one for my travel rig!